How to manage hundreds of gaming clips

Download RaidCut

How clip piles happen

Opus returns volume. You download everything 'just in case.' Filenames are clip_01, clip_02, final_v2. You never write titles at export time. Weeks later you have hundreds of files and no idea which are duplicates, which game they are from, or what already posted.

Managing hundreds of clips is not a tagging problem first — it is a workflow states problem: exported, reviewed, titled, scheduled, published.

System that scales past 100 clips

1. One folder per capture session — Never mix clips from different streams in one directory. Session folder = raw + exports + titles.txt.
2. Enforce filename states — Use prefixes: 00-inbox_, 10-approved_, 90-published_, 99-skip_. Sorting by prefix beats reading every name.
3. Title queue spreadsheet — Columns: filename, title, platform, scheduled date, posted Y/N. One row per approved clip.
4. Weekly review budget — Two 45-minute blocks per week. Process 30–40 inbox clips max per week until backlog clears.
5. Archive aggressively — Clips older than 60 days without approval go to ARCHIVE or delete. Stale gaming moments rarely recover.

Where RaidCut fits

Opus Clip is the AI processing engine. RaidCut is the gaming creator workflow layer around it — from source recordings to review, approval, titles, descriptions, scheduling, and learning from performance.

RaidCut replaces the folder chaos with an inbox model: clips arrive in one desk, you mark publish/skip, draft titles in context, and schedule — so hundreds of files do not accumulate as anonymous MP4s.

Who this is for

• Creators who batch-download Opus exports — You save everything and review never catches up.
• Multi-game streamers — Clip context blurs when one folder holds five games.
• Solo operators — No editor to impose structure — you need a system you will actually follow.